Color - Revision history

Admin at 00:46, 1 March 2014

2014-03-01T00:46:43Z

Admin at 22:22, 27 February 2014

2014-02-27T22:22:57Z

Admin at 00:10, 27 February 2014

2014-02-27T00:10:36Z

Admin: /* Act III */

2014-02-27T00:09:35Z

Act III

Admin: /* Act II */

2014-02-26T23:52:45Z

Act II

Admin: /* Act I */

2014-02-26T23:26:56Z

Act I

Admin: /* Act I */

2014-02-26T23:14:49Z

Act I

Admin: /* Act I */

2014-02-26T23:11:25Z

Act I

Admin: Created page with " == Motivation == As we get closer and closer to final lighting, we need to communicate, share and unify our color assumptions to get an consistent direction to the color acro..."

2014-02-26T23:02:09Z

Created page with " == Motivation == As we get closer and closer to final lighting, we need to communicate, share and unify our color assumptions to get an consistent direction to the color acro..."

New page

== Motivation ==
As we get closer and closer to final lighting, we need to communicate, share and unify our color assumptions to get an consistent direction to the color across shots and scenes of the film
Color choices will vary by act, so lets go into it on that level.
== Act I ==

We start on a station that is slightly elevated above the 'real'. Not so far gone to be completely surreal, this station has elements of strange, both in color and physical representation. For instance, it is wide open to the outside, but nobody other than gilgamesh enters it, and having done so, it effectively shuts out the outside for the rest of the film. It is lit, and traversed by trains, however, no train ever stops in it, and it has an air of being unused, boarded up.
This station represents a retreat of gilgamesh from the world to her own solipsism and can be seen as a reflection of her own mind. colors are cool, somber, reflecting her mood and her memory, with a preponderance of aqua tones and hints of water in the lighting. Loads of dramatic lighting, atmospheric effects are called for:
<gallery>

</gallery>

=== reference ===
== Act II ==
== Act III ==

@@ Line 1: / Line 1: @@
-[[File:Colorswatch.png|1024px|center]]
+[[File:Colorscript.png|1024px|center]]
 == Motivation ==
 As we get closer and closer to final lighting, we need to communicate, share and unify our color assumptions to get an consistent direction to the color across shots and scenes of the film

← Older revision		Revision as of 00:10, 27 February 2014
Line 43:		Line 43:
	a- naturalistic		a- naturalistic
	b- faintly blue tinged resembling the blue outside light in act_1		b- faintly blue tinged resembling the blue outside light in act_1
		+
		+	== Specific Items ==
		+	Interior of train, paper resemble the end of act II as being yellowish/orangish/warm

← Older revision		Revision as of 00:09, 27 February 2014
Line 40:		Line 40:

	== Act III ==		== Act III ==
		+	Ok, here Gilgamesh is a person among the persons. The station is a real place, trains stop, people get off. While our problem with crowds means much DOF in this scene, colors should be:
		+	a- naturalistic
		+	b- faintly blue tinged resembling the blue outside light in act_1

← Older revision		Revision as of 23:52, 26 February 2014
Line 25:		Line 25:

	== Act II ==		== Act II ==
		+
		+	There's a lot going on in Act II with sometimes competing but sometimes complementary notes: Gore, Reddish Bold Propaganda images, timelapse blurs... at the same time, we need gilga (once healed) to stand out a bit from this, and be 'an observer' She'll stand out from any other moving thing by virtue of not being massivly blurred, and we can allow her skin-tone to show a bit more as any other people will be blurs.
		+	We've also got some distinct phases within act II: station, prison, ruin with brief moment of war/ destruction between them. I'm thinking the progression here should be from mixed color with lots of reds, yellows, etc. to yellowish to yellowish + desaturation. Where possible we should be able to use some atmospheric perspective to split gilga from her surrounds.
		+	Some ideas from stalker and red desert:
		+	<gallery>
		+	File:Metro_08.jpg\|Inside the traincar is a bit warm, maybe more orange than this...
		+	File:Red-desert-41.jpg\|some shots here have the blackandwhite + red look
		+	File:Red-desert.jpg
		+	File:Red-desert2.jpg\|saturated character against desaturated bg, but yellow tint
		+	File:Redesert1.jpg
		+	File:Sacrifice_desaturated.jpg
		+	File:Stalker_silo.jpg
		+	</gallery>
		+
	== Act III ==		== Act III ==

@@ Line 19: / Line 19: @@
 <gallery>
 File:A1s12.jpg|gradient painted over current render
 </gallery>
 == Act II ==
 == Act III ==